All Mediums

These pastes dry to a hard, opaque film. Although still flexible, they are more rigid than the gels and able to hold stiff peaks. The Light Molding...

Pumice Gels with various grades of gritty textures which dry to hard films.

Crackle paste is a white, light-weight ground made with a unique balance of solids and acrylic binders. It s use results in an intentional controll...

This medium offers a dry film that has the appearance of rough handmade paper. Skimming the product with a wet palette knife can make a smoother su...

Pumice Gels with various grades of gritty textures which dry to hard films.

GAC 100 Acrylic is a liquid acrylic polymer emulsion useful for diluting and extending colors as well as increasing flexibility and film integrity....

GAC 200 Acrylic is a liquid acrylic polymer emulsion that is the hardest and least flexible of GOLDEN acrylics. Useful for increasing film hardness...

GAC 400 Acrylic is a liquid acrylic polymer emulsion which dries to a hard, stiff film. When applied over a fabric support, such as cotton, linen o...

GAC 500 Acrylic is a liquid acrylic polymer emulsion with leveling ability, that forms a hard, glossy film. Useful for increasing film hardness and...

GAC 800 is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and me...

GAC 900 Acrylic is a liquid acrylic polymer emulsion which when heat-set offers a very soft hand and laundering stability. This product is most use...

A coarse textured medium with a heavy body viscosity that holds peaks. Made with genuine glass beads, its unique visual effect like that of condens...

When mixed with acrylic colors, Acrylic Glazing Liquid dries slowly, allowing sufficient working time for a wide variety of glaze and faux finish t...

When mixed with acrylic colors, Acrylic Glazing Liquid dries slowly, allowing sufficient working time for a wide variety of glaze and faux finish t...

These pastes dry to a hard, opaque film. Although still flexible, they are more rigid than the gels and able to hold stiff peaks. The Hard Molding ...

Heavy Gels are thicker than Heavy Body Acrylics and may be blended with colors to increase body.

Heavy Gels are thicker than Heavy Body Acrylics and may be blended with colors to increase body.

These gels blend with colors and make them feel more oil-like by retaining brush strokes. The gloss offers less shrinkage than the matte which drie...

  An isolation coat can be applied to acrylic paintings to unify and protect the surface. Sealing an acrylic painting with an isolation coat prior ...

These pastes dry to a hard, opaque film. Although still flexible, they are more rigid than the gels and able to hold stiff peaks. The Light Molding...

Translucent, low-gloss, acrylic extender gives a matte transparency when mixed with colors.

Golden MSA Solvent is the ideal solvent for thinning Golden MSA Varnish

This mineral spirit based acrylic varnish forms a tougher, less permeable film than waterborne acrylic emulsion varnishes. Ultraviolet light stabil...

This mineral spirit based acrylic varnish forms a tougher, less permeable film than waterborne acrylic emulsion varnishes. Ultraviolet light stabil...